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Since the early 1980s Thomas Lehn has been working as a performer, interpreter, composer and improviser of contemporary music. His individual style of musical expression is rooted in the experience of a broad spectrum of musical fields. Based on his background as an interpreting and improvising pianist in the fields of classical, contemporary and jazz music, he developed his individual language in live-electronic music and this interest is pursued in parallel to his work as a pianist. The electronic equipment he uses consists of analogue synthesizers of the late 1960s. The facilities of these 'historic' instruments - e.g. to modify electronic sounds very directly as well as to combine and to control several parameters at the same time - allows him to spontaneously act and react in close contact with the process of tension, space and structure of the music during its performance. |
dach dach begins with the rain falling on the white plastic roof of the venue. As the sun gradually emerges, warming the roof's metal supports, the creaking and cracking roof becomes a fourth sound source for the remainder of the performance. dach occupies the zone between silence and sound, forcing the listener into a state of hyperawareness. 1 track in 56:57 minutes. More Erstwhile One Final Note Review Label Profile from One Final Note :::>>> Tell A Friend About This CD From Drimala If you like this cd, you might also enjoy listening to: do (Toshimaru Nakamura and Sachiko M) Bits, Bots and Signs (Otomo Yoshihide, Norbert Möslang and Andy Guhl) VHF / Extracts (Graham Halliwell, Simon H. Fell and Simon Vincent) Free Improv for Robots (Broken Record Chamber) Knack On (Voice Crack) Nouvelles (Jean-Mark Foussat) Feldstärken (Thomas Lehn) |
